Un’analisi del film di Ejzenštejn La corazzata Potëmkin – e in particolare della scena della lamentazione funebre del popolo di Odessa attorno al corpo del marinaio Vakulinčuk – offre l’occasione di riflettere intorno a una dialettica fondamentale che si instaura nella teoria e nella pratica filmica del regista russo: la dialettica fra montaggio ritmico e montaggio tonale, fra immagine-taglio (obraz-obrez) e immagine-atmosfera (obraz-sreda). Sreda significa «milieu» in tutti i sensi del termine: ciò che costituisce l’elemento materiale, seppur diafano, del visibile (...) (il medium, quindi); ciò che instaura un campo (Feld) percettivo; ciò che disegna l’ambiance nella quale abitiamo (la nostra Umwelt, o mondo-ambiente), cioè lo spazio emozionale (Stimmung) che ci sollecita dinnanzi a un’immagine. Nel caso particolare analizzato, alla lamentazione funebre dei piangenti attorno al cadavere del marinaio, che viene dettagliata dal montaggio ritmico dell’obraz-obrez, risponde quel che Ejzenštejn chiamava il «lamento delle nebbie» nel porto di Odessa: tramite un montaggio tonale, l’obraz-sreda del paesaggio si fa «risonatore psichico» che consuona e amplifica il lutto degli esseri umani, istituendo con questo una peculiare «somiglianza». L’istituzione di tale somiglianza consente a Ejzenštejn di mettere al contempo in discussione (in sintonia con le riflessioni sviluppate negli anni Venti da teorici formalisti quali Šklovskij, Ėjchenbaum, Kazanskij, Piotrovskij) la presunta specificità del medium filmico, a tutto vantaggio di un’interazione fra differenti paradigmi mediali – pittoricità, musicalità, poeticità – che si illuminano a vicenda, mostrandosi come altrettante articolazioni del ritmo. (shrink)

v. 1. Arabic text -- v. 2. English translation.

v. 1. al-Nuṣūṣ al-manṭiqīyah -- v. 2. al-Shurūḥ al-manṭiqīyah -- al-mujallad 3. al-Shurūḥ ʻalá al-nuṣūṣ al-manṭiqīyah.

While univariate functional magnetic resonance imaging data analysis methods have been utilized successfully to map brain areas associated with cognitive and emotional functions during viewing of naturalistic stimuli such as movies, multivariate methods might provide the means to study how brain structures act in concert as networks during free viewing of movie clips. Here, to achieve this, we generalized the partial least squares analysis, based on correlations between voxels, experimental conditions, and behavioral measures, to identify large-scale neuronal networks activated during (...) the first time and repeated watching of three ∼5-min comedy clips. We identified networks that were similarly activated across subjects during free viewing of the movies, including the ones associated with self-rated experienced humorousness that were composed of the frontal, parietal, and temporal areas acting in concert. In conclusion, the PLS method seems to be well suited for the joint analysis of multi-subject neuroimaging and behavioral data to quantify a functionally relevant brain network activity without the need for explicit temporal models. (shrink)

ArgumentThis paper examines the earthquake monitoring and prediction program, called “collective monitoring, collective defense,” in communist China during the Cultural Revolution, a period of political upheavals and natural disasters. Guided by their scientific and political ideas, the Chinese developed approaches to earthquake monitoring and prediction that emphasized mass participation, everyday knowledge, and observations of macro-seismic phenomena. The paper explains the ideas, practices, and epistemology of the program within the political context of the Cultural Revolution. It also suggests possibilities for comparative (...) analysis of science, state, and natural disasters. The paper redefines the concept of “citizen science” and argues that the concept provides a useful comparative perspective on the intimate relationship between science and the macropolitics of modern state and society. (shrink)

全书共分为三篇,内容包括:20世纪西方美学原理体系、20世纪中国美学原理体系、中西美学原理体系比较。.

Theism in Indic philosophy from the point of view of Christianity.

Mā yanbaghī an yuqaddam qabla taʻallum falsafat Arisṭū --ʻUyūn al-masāʼil fī al-manṭiq wa-mabādiʼ al-falsafah.

Parameters have lain at the core of linguistic research in the generative tradition for decades. The theoretical questions they have raised are deep and broad: this reference text investigates how contemporary linguistics has best tried to answer them. This book looks at how parameters might be properly defined and what their locus might be :lexical information, functional heads, the computational system, the phonological branch of the grammar. What kind of data forms trigger acquisition of a parameter? Are parameters necessary or (...) can we study languages without making reference to them? The questions looked at are not just theoretical: how can a theory of parameters be used to help understand second language acquisition, and what contributions can it make to the study of language typology? This is the right time to gather all this information, dispersed in many different kinds of publications by single authors and groups, into one comprehensive volume. (shrink)

Islamic philosophy; early works to 1800.